Pompeii (*½)

Directed by: Paul W. S. Anderson
Starring: Kit Harrington, Emily Browning, Carrie-Anne Moss, Adewale Akinnuoye-Agbaje, Jessica Lucas, Jared Harris, Kiefer Sutherland
Seen: Ferbuary 21st 2014

*½ Out of ****

If you’re going to make a disaster movie about the volcanic eruption of Pompeii in 79AD, I would suggest you put more actual volcanic eruption into the movie than approximately three blink-and-you-might-miss-them scenes. Granted, they look really spectacular when on screen, but I was expecting much more of the mountain exploding, and much less of debris just falling down on the city – at the very least I wanted more panning shots of the mountain exploding with the viewer given the chance to follow debris to where it falls. Also, if you’re going to try to add some story to your volcano disaster movie, try to be less blatant at ripping off Gladiator. And one last hypothetical: if you’re going to make a supposedly good looking disaster movie, dial the lights up a bit, I spent a significant time of the movie trying to figure out what I’m seeing in the darkness (I admit this may be the cinema’s error, could be, but I doubt it).

In 62AD, a legion of Romans under the command of the seriously bad Corvus (Sutherland) wipe out a Celtic tribe famous for their horse wrangling/whispering, with only one survivor, Milo, a little boy. Milo is taken into custody, and is trained as a gladiator who quickly builds up a reputation. He is known to crowds as the Spaniard… (no, that’s Gladiator) the Celt (Harrington). He is a talented and quick fighter, not in it for the grandeur (much like the Spaniard, again). A slave master notices him and purchases him to take him to Pompeii. En route they are passed by the carriage of Cassia (Browning) and as the carriage passes, a horse pulling it is injured. The Celt is a horse specialist, and when he helps, he leaves Cassia with a good impression.

Milo arrives at the gladiator academy where he picks up a short-lived problem with the current champion, Atticus (Akinnuoye-Agbaje), a gladiator close to winning enough fights to be released. Atticus, like Djimon Hounsou’s Juba in Gladiator, is a black gladiator who has little wooden figurines in his cell, teams up with the new white guy, and greatly assists him in his mission. Milo’s life-long mission is to find and kill Corvus, and his gladiatorial exploits give him the opportunity to get close. He also comes into contact with Cassia and her parents, Severus (Harris) and Aurelia (Moss), who Corvus bullies into giving up their daughter’s hand in marriage. All this transpires as the mountain starts to endanger the city, and the movie breaks down into a fight-the-bad-guy/save-yourself race.

The actors have templates to work from in the form of Ridley Scott’s Gladiator, but they don’t pull it off. The acting is caricature-like or somehow uninvolved. Harrington and Browning might have a love story arc, but their chemistry is about as fresh as Pompeii’s ash-fossils, and just a bit less jarring than their wooden acting. Sutherland, Harris, and Moss all seem to be in a drug induced stupor, probably wondering what they’re doing in this movie, with Sutherland at times seeming like he could be enjoying this. Only Adewale Akinnuoye-Agbaje brings some gravitas to his role, and I enjoyed his upstanding character.


Pompeii is a real mess from start to finish, and even though it looks good, the focus is often not where I would have wanted it to be. The love story, even though it is hinted at near the start, still suddenly happens out of thin air. Too bad more good looking volcanic eruption scenery didn’t happen out of thin air...

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