12 Years a Slave (***½)

Directed by: Steve McQueen
Starring: Chiwetel Ejiofor, Lupita Nyong’o, Michael Fassbender, Sarah Paulson, Benedict Cumberbatch, Brad Pitt, Paul Dano, Adepero Oduye, Paul Giamatti, Garret Dillahunt,Alfre Woodard, Quvenzhané Wallis
Seen: Januray 27th 2014

***½ Out of ****

The most chilling and sobering thing about 12 Years a Slave is that it is based on an 1853 memoir which was validated as accurate. Two high-profile accounts of this time-period was released in the last year or so, the fictional Django Unchained from Quentin Taratino, and 12 Years a Slave. Both leave little to the imagination and as a result can at times be unsettling to put it mildly, but Django Unchained did have a quirky script which made it more boisterously entertaining to watch. That does not in any way take any credit away from 12 Years a Slave, as it is by far the more serious and more historically significant movie of the two.

In 1841, Solomon Northup (Ejiofor), a free black man from New York, was kidnapped in Washington D.C. and sold into slavery, by Theophilus Freeman (Giamatti), to William Ford (Cumberbatch). Ford handled Northup with relevant dignity, but held an ignorant view regarding slave ownership. Ford’s carpenter John Tibeats (Dano) treated Northup terribly, and an altercation between the two that was nearly Northup’s death by lynching led to him being sold to Edwin Epps (Fassbender), where Northup’s real troubles began. Epps was a vile and Bible-bashing man, justifying slavery and abuse of his slaves through scripture. Epps enforced strict cotton picking quotas on his slaves, and the ones who did not make quota were beaten. One slave girl who routinely picked far more than double quota, Patsey (Nyong’o), became an object of desire for the mentally deranged Epps, which brought the wrath of Epps’ wife Mary (Paulson) down on Patsey. Northup continuously attempted to convince his captors of his status as a free man, but to no avail, with only one person willing to even try to help, the carpenter Samuel Bass (Pitt). One thing that, after the dust settled, still remained with me, was the fact that even though one slave might have been rescued (the title tells us that the time was 12 years, this is not a spoiler), many stayed behind and were only saved when major events forced it on us – the only thing necessary for evil to triumph is for good men to do nothing.


The movie is beautifully filmed, with stark and sudden contrasts between absolutely gorgeous nature scenes and the oppressive and unwavering denigration of the slaves constantly reminding the viewer of the reality of the situation. Every time the viewer is given a short reprieve with a beautiful sunset or something similar, the viewer is again crashed back to the horrific reality of slavery. Two acts/scenes stand out in particular – the attempted lynching of Northup is emotionally draining, and Epps whipping Patsey to a pulp is a vulgar shock without being unnecessary for even a second. Ejiofor and Nyong’o deliver absolutely fantastic performances, carrying their suffering and hardship into the viewer’s consciousness. Fassbender is equally good as a hateful man, while Benedict Cumberbatch expertly delivers Ford as a man to almost respect, but not quite. In fact, Steve McQueen coaxes fantastic performances out of the entire cast. 12 Years a Slave is a very good movie in every way, telling a tragic and emotional story with tender sensitivity and fierce brutality.

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