The Darkest Hour (**)


Directed by: Chris Gorak
Starring: Emile Hirsch, Olivia Thirlby, Max Minghella, Rachael Taylor, Joel Kinnaman
Seen: January 31st 2012

** Out of ****

I suspect that The Darkest Hour will be the worst 2012 movie that I actually like. It isn’t good, the dialogue is painfully faux heroic at times and for a movie that is only 89 minutes long it still feels stretched out on occasion. It is interesting to see the alien invasion movie from a Russian perspective, even though all major characters are still Americans in Moscow. Produced by Timur Bekmambetov, who brought us Wanted, the movie was always going to have some visual flair, and The Darkest Hour looks and feels pretty cool for the most part.

Two young software developers, Sean (Hirsch) and Ben (Minghella), travel to Moscow to market their new social networking website, but are upstaged by a Swedish developer, Skyler (Kinnaman), who can’t stop telling them that this is business – silencing his conscience perhaps. Sean and Ben go to a popular night-club to mourn their loss, where they meet two travellers, Natalie (Thirlby), an American, and Anne (Taylor), an Australian. They run into Skyler again, still claiming it’s only business. Then suddenly everyone is outside, marvelling at an Aurora Borealis-like orange tinted night sky as orange balls of light drop down from the sky and vanish/become invisible as they hit the ground. A policeman walks up to it, and is devoured with only ashes remaining – and people start running. Sean, Ben, Natalie, Anne and Skyler end up locked in a basement pantry for a few days, and when they exit, Moscow is desolate, people are now in very short supply.

The group survives some close calls with the aliens, but the outlook is grim until they meet a Russian who has built a Faraday cage – an electronic barrier that keeps the aliens out. He’s also constructed a microwave gun, but this looks like a pipe dream as it soon proves effective but not wholly so. As the five continue, they learn small things about the aliens and they come across some survivors after learning of a point of hope, a Russian nuclear submarine waiting for survivors before setting out. They head for the submarine, but they realise things are far from over soon enough.

The Darkest Hour mixes some enjoyable elements with some very bad dialogue and some jarring plot advancement points. The special effects are relatively good, until the aliens are revealed for the first time; they look very much like napkin-scrawled doodles, like something that belongs in a Saturday morning kids animation. The acting is as can be expected from a little movie like this, regardless of it a thread-bare story must be told. I can’t remember ever seeing a global apocalypse event movie that felt so limited in scale, so local, even though global mention is made.

The Darkest Hour looked cool, but there is very little under this slightly shiny veneer to hold up the shell. I might have enjoyed this more 10 to 15 years ago, but now I find it a bit of a stretch.

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