Bridesmaids (*½)


Directed by: Paul Feig
Starring: Kristen Wiig, Maya Rudolph, Rose Byrne, Melissa McCarthy, Wendi McLendon-Covey, Chris O’Dowd, Ellie Kemper, Jill Claybourgh, Matt Lucas, Rebel Wilson, Jon Hamm
Seen: July 1st 2011

*½ Out of ****

Bridesmaids is The Hangover movies for girls. It shows that women can be as crass and experience the same level of ridiculousness as men, but does it all in a way that’s far more boring. Where the Hangover movies had a sense of plot advancement, Bridesmaids plods along hoping everything will eventually fall in place. Where the Hangover had relatively high stakes for those involved, the realisation of Bridesmaids’ worst fears would not be catastrophic for any one of the characters at all. And I didn’t even like The Hangover movies at all, which doesn’t say much for Bridesmaids.

Bridesmaids starts with Annie (Wiig) engaged in “extramural” activities with her occasional sex-call friend, the self-absorbed Ted (Hamm), an awkward scene to start off any movie, and this one also outlasts its welcome almost before it starts. Annie and Lillian (Rudolph) are best friends living in Milwaukee, close to Annie’s now closed shop, Cake Baby, which failed miserably during the recession. When Lillian becomes engaged to a character the movie basically assigns to the sidelines she asks Annie to be her maid of honour, and at the engagement party Annie gets to meet the rest of the bridesmaids: there’s Lillian’s shockingly “honest” cousin Rita (McLendon-Covey); the sweet and innocent Becca (Kemper); Lillian’s very unashamed and loudmouthed future sister in law Megan (McCarthy); and Helen (Byrne), the beautiful wife of Lillian’s fiancée’s boss, with whom Annie immediately starts competing for Lillian’s best-friend status.

As expected, anything Annie does falls flat on its face or doesn’t come close to comparing with what Helen does or can do for Lillian. Annie grows gradually more frustrated, a situation not helped by everything popping up in her life. Her uncomfortably odd housemates, brother and sister Gill (Lucas) and Brynn (Wilson), who still had her pay half the rent even though they’re three sharing the apartment, kick Annie out and she moves back in with her mom. She‘s stopped for broken tail-lights and is also involved in an accident at a later stage, where Officer Rhodes keeps showing up, the two developing a rollercoaster relationship in spite of Annie’s selfish and/or self-defensive whims.

It all comes to a boiling point, as Annie loses her temper at Helen while attending the elaborate (and based on an idea stolen from Annie) bridal shower arranged for Lillian, Lillian throws her out, and bans her from the wedding too. Annie has hit bottom, and in it she has some things to discover regarding friendship, relationships and professional work ethic on her way to reconciling with Lillian.

The humour is flat, the entire plot contains too many small elements insufficiently answered resulting in the whole effort ending up in the cinematic mud of boredom. Singular moments of good humour can’t keep the movie afloat, and the fact that the protagonist is only marginally likeable in a few scenes doesn’t improve things at all. This movie, even though it would like you to think it’s about friendship and its deep residing power, is about little more than a very bitter and childish fight between two supposedly grown up women to be BFF to a limp supporting character.

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