The Lincoln Lawyer (***)


Directed by: Brad Furman
Starring: Matthew McConaughey, Ryan Phillippe, Marisa Tomei, William H. Macy, Josh Lucas, Margarita Levieva, John Leguizamo, Laurence Mason, Michael Peña, Bryan Cranston, Frances Fisher
Seen: June 7th 2011

*** Out of ****

The Lincoln Lawyer felt to me like a resurrection of the legal courtroom dramas of the 90’s, with the same gritty feel and strong characters audiences were used to in movie treatments of John Grisham titles like The Firm, The Pelican Brief and A Time to Kill, among others. The Lincoln Lawyer is based not on a Grisham novel, but on the best-selling novel of the same name by Michael Connelly, whose own response was that he could not have been happier about this adaptation, mentioning the loyalty of the movie to his book and McConaughey’s interpretation of Mickey Haller specifically.

Mickey Haller is a criminal defence attorney operating not out of an office, but out of his Lincoln Town Car, driven by Earl (Mason), a previous client working off his legal fees. When his daughter asks him why he doesn’t have an office asks her, paraphrased: “What’s cooler, this or your mom’s office?” Haller is good at his job, and even better at getting clients to pay, as is made clear near the start when he manages to cleverly delay a case to force a client waiting in jail to pay. He’s divorced, but maintains a good relationship with his ex-wife Maggie (Tomei), a prosecutor, and the only reason for their separation, his defending of criminals, is addressed only between the lines. During the movie he acquires a new client who severely dents his monetary-driven moral system as Haller comes to terms with defending someone who makes deception his game.

Louis Roulet (Phillippe) is accused of brutally assaulting Regina Campo (Levieva), a prostitute who, it seems, is attempting to falsely sue Roulet for the money behind it. Through Val (Leguizamo), a connection of Haller’s, he gets the case that looks to be a cash-cow, as Roulet is the son of the very rich real estate mogul Mary Windsor (Fisher). Things get complicated when Haller starts finding gaps in Roulet’s story and links with a past case of his in which his client Jesus Martinez (Peña), was convicted of murder. To make things even worse, Haller’s investigator and good friend Frank Levin (Macy) is murdered and Haller risks much investigating what seems to be unrelated cases coming closer and closer as the movie progresses. Everything coming together leads to a climactic court scene which precedes a satisfying and momentarily chilling ending.

McConaughey is very good as Haller, and he carries the movie brilliantly, his interaction with especially Phillippe as his client and Tomei as his ex-wife rescues the movie from becoming another forgettable thriller. Small parts are also played to perfection by all involved, as Josh Lucas, Michael Peña and William H. Macy become their roles, and Bryan Cranston burns through his few scenes as detective Lankford, the lead investigator on Frank Levin’s murder. The movie feels older than it is, very little in this movie hints at anything modern. The car is basically a classic, cellular phones are used minimally and when used they are not new phones, and the clothing characters wear is not specific to current times only and can be from anywhere in the last 15 or so years. I’m glad I made the time for The Lincoln Lawyer, as it is a very good courtroom drama which really makes one feel nostalgic about similar 90’s movies that have become a very rare species nowadays.

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